it succumbs to my desire

it becomes my dreams

taking on a more pliable shape

compliant to my touch

while still trying to be what it was

will it hold its shape, its texture

will it transform for me

will it stay as it started or

will it mold into what it was meant to be

Origins – Italian White Translucent Alabaster

Quiet intimacy of forms and leading paths to inner deep desires. The origin of the journey to the memories of the soul.

Woman’s Essence, free and gentle. Secret stroll on hidden paths,

warming souls and hearts.

Origins becoming

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Woman

Woman

Female Curves

Winged sexuality

I had the need to express myself in a different way, a more plastic way, one where I could interchange my energy with the medium. This is why I became interested in sculpture. I studied Interior Design in Miami and took Architecture, nude drawing and Art classes at Miami – Dade Community College. At that moment is when I discovered the need to deconstruct the human form into parts like the Deconstructivism method in Architecture.

I was also influenced by the cover of a feminist book of the 70′s. The cover was the photograph of the skin of a female body, hollow, hanging from a hanger as if ready to be used and disposed. It made a very deep impression in my soul and since then I have been obsessed by the female form. I started experimenting with plaster, it was soft, giving and I could play with it. The female forms started to appear with all their sensuality.

]]> http://dulcemariarico.wordpress.com/2011/10/10/25/feed/ 0 dulcemariarico The Begining The Begining of Woman Curves Winged magic http://dulcemariarico.wordpress.com/2011/10/09/hello-world/ http://dulcemariarico.wordpress.com/2011/10/09/hello-world/#comments Sun, 09 Oct 2011 23:54:46 +0000 dulcemariarico http://dulcemariarico.wordpress.com/2011/10/09/hello-world/ ]]> © 2009, Dulce Maria Rico, all rights reserved.

EMERGE- ESSENCE of WOMAN - Female torso made of "cafe au lait" alabaster from Mexico. The formation of woman from the rock, her surrendering and power, coming to life.

Welcome to my Gallery/blog. I invite you to experience my vision.

Stone Sculpture as Poetry of Form and Subject.

Here I will pots my work, my poetry, my thoughts and inspirations, my dreams and desires.

I will deconstruct what Art is for me.

I belong to a very artistic family. My father is Ricolopez. As a child I was surrounded by his work, his canvases, brushes and paint and all of his art books and art touched me in many ways. Specially the nudes with their powerful forms.

Flesh

Fingers touching

Flesh warm and moist

Silkiness among folds and mounds

Passionate flesh, breathing desire

Heaving breath of lustful flesh

Shining flesh ablaze with glimmering sweat

Liquid shimmer of colors and lights

Flashing in front of my eyes

As the stone remains cold to my touch

Aromas of dust clung on the air

Tools licking the form, tracing valleys and mounds

Essence of form, nooks of skin and folds

Perfumed forms with the scent of my soul.

So many theories and concepts about art. For some art is that of a beautiful subject with a beautiful, perfect execution. They give more importance to the skill of the artist than to the creativity.

For others art must be creative, even if that means not ” elegant”, ” improper, ” too daring.

Isn’t art just the expression of the artist’s mind, soul, dreams and desires put together with the skill of the artist’s hands, eyes and talent?

Art is beautiful as it is the self expression of the artist no matter what the subject. We see artistic expression in photography of war, in other things that are not beautiful, but the fact that we express it is beautiful. To be able to communicate to others by our art and self expression, without fear of rejection and criticism, that is Art.

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Soft tender touch
desire, passion
sweet surrender
fire flame

breath of  life

I named it Flame for now...as always it is about the female passion. Gold Alabaster.

Another view of Flame, still thinking what to call her.

Flame in Gold Alabaster

I was having a conversation with another artist, a photographer, Bill Thomas -BT- and we were talking about the value of free things. Seems most people consider free things of less value and appreciate things more when they have to pay more.  It happens for example when we give one of our works of art to friends or family members and yes, they like it but they don’t consider it as valuable as if they had to pay for it. We can see this with brand names; we pay more for basically the same thing but we are paying for the name and we value it more, take care of it more and most of us are proud of our acquisition because we paid a lot for it.

The same with our art, if we value it others will too and now more than ever we must stand up for our work and its value.

Nothing that is worthy is free or easy…except nature, goodness and love….things like that….

2005nov opening exhibition "unfolding the mind"at azucart gallery in coral gables florida on november 4th where he shared the space with his sculptor daughter dulce maria rico

When I look at a photograph I look for a message; do they need and must have a message? Does art need to convey a message to the viewer and is that part of the art experience?

On a photograph we have a subject and the context of what we display, represent and compose in the photograph. The subject and the context make the photograph relevant, interesting, but can the subject or the context clutter the photograph? A photo is created by subtracting from the shot what is irrelevant and not necessary to what we want to express. Is it the same for other forms of art, lets say painting , sculpture? Is less always more?

Untitled- Work by Bill Thomas- BT-Thirdiimage

So what makes a photograph a piece of Art?

What do we do when we look for the first time to a photograph? We look for familiarity, if there is something familiar to us, then we look for emotion, how we feel about it, do we like it or not, does it attracts us or do we just want to move on to the next?

We first look at the photograph in a general context and then we start looking at the details, the colors, the different hues that attract our eye and also our mind. Depending on what colors we favor we will be attracted in different ways to a photograph. Then we look at the light and how it hits and the shadows it creates. A play of light and shadow that as photographers we can manipulate to draw the eyes of the viewer to those places we want to emphasize. It is at this point the two dimensional photograph becomes three dimensional by the shifting of light and the shadows making the details richer and with more texture. The same works for painting, even though in painting many times we add more elements, more color and details instead of subtracting and making it simple. How about sculpture? Again, it depends on what we want it to be.

I personally love landscape and nature photography, but my love is people photography; when photographing people the photograph becomes human and it evokes the emotion of the subject.

Good photography also has balance and it is clean of excessive clutter. If it is in color they must be bold, solid, clean, bright without excessive patterns and also harmonic compositions with few colors or just one simple color to create a soft, relaxing image.

Then we have depth and that is why we add either a strong background or we soften it into a blur to let the subject shine by itself. But, what if we chose to make the picture flat? with no depth? The same applies for a painting and how about sculpture, does it have depth, can it be flat with no depth?

Now, get closer, closer, closer, most of the best shots are close and many are parts of the total , a different experience by itself; by getting closer we get more texture,details and things appear to be different than what they are, many become abstracts and capture a different identity than the original subject. I am a fool for close ups and body parts.

How about the use of light? It has to be” interesting” and by that I mean dramatic. Long shadows do it for me any time and side and back lighting gives always good results. Early morning, late afternoon, but what about night shots with full moon, no flash of course. And how about hyperfocal to have a very close foreground and a very deep background? How doe we take advantage of light in art, photography, painting and also sculpture?  In sculpture we basically do it by carving, the texture we create, the shapes and if needed a good lighting element; the lay of light and shadow is so much more interesting in photography.

A good, very good photograph takes time, one has to think, look, connect and assimilate the subject and its context, working the subject in a ritual dance, letting the subject relax and feel comfortable, forgetting the lens is ogling it. Just like any other piece of art, one has to get comfortable with the material one uses, with the tools and with the idea of what it will become. It is all about passion, about a flirtatious dance with the material to understand it, see it as it is, assimilate it and transform it.

Origins- Italian Translucent White Alabaster

I too find beautiful things desirable and I also see beauty in things others may not.

Escape Within-Soapstone

I have had conversations with another artist, a great photographer, Bill Thomas -BT- and he tells me he finds contrast interestingly beautiful. Things that seem odd, things that seem to not belong or that are truly extremes on size, color, appearance, disparities. I realized talking to him that I too love extremes and things that are different, things and subjects others may not like, desire or even pay attention to.

Since I can remember I have been attracted, called by things that are misshapen, old, broken, used and abused. I appreciate a flower at the top of its beauty, soft, vibrant with the most amazing aroma, the most beautiful colors and I can also appreciate a flower dying, when the smells change, the textures and colors and when it starts to become something else. The same for a person, lets say a beautiful young woman at her peek, with soft supple skin, unblemished by time. I appreciate that young woman, see her beauty, her soft flowing forms that invite the eye and the hands. Still, when I see a scar with its different textures and shapes or wrinkled skin with those deep crevices shadowing and telling I see beauty because for me beauty is textures, shapes, light and shadow, tastes and smells……as the smell of the stones I handle, the taste of the dust I make when I sculpt, the different textures and all the points of light and shadow while I sculpt.

I feel the need, the desire to sculpt old skin, old women’s parts, skin over fatty tissue bulging with the softness it has. I have the desire to capture tired, watery old eyes full of wisdom and history, full of hope and love. I wish to capture the beauty of those society dismiss as ugly because in their so called ugliness beauty lives and I want to capture it for eternity.

Dulce